BIT Improv Comedy Network | MAIN STAGE · Billy Merritt

Movie! 7 | Revenge of the Brain - A Sequel

·37 min·2 clips

Christian Brain says he is a stolen Seattle brain and demands someone watch Friends with him.

1. BIT Improv Comedy Network's MAIN STAGE episode "Movie! 7 | Revenge of the Brain - A Sequel" builds an improvised heist around Circus Circus in Las Vegas and a stolen brain in a jar. 2. Rejects, Guru, Jason, Tony, Tina, Stuart, Larry Lightfoot, Crystal, and Christian Brain matter because each one gets a specific role in the rescue and takeover plan. 3. The episode asks whether a team can pull off a Vegas underground rescue while a brain enforces a Friends-based captive viewing session. 4. The opening sends four limousines from the Nevada desert to a dead-end alley, then into the sixth level of Circus Circus parking. 5. Rejects is lured by clowns, a futuristic van, and masked tough guys into a high-tech laboratory beneath the resort. 6. Christian Brain identifies itself as the brain stolen from a science center in Seattle and calls itself the smartest entity on the planet. 7. The brain says its current demand is simple: someone has to watch Friends with it. 8. The story then cuts to a ballroom with the two Jason magicians speaking about "captive audience" strategy, Patreon, and keeping people in their seats. 9. Guru arrives worried that Rejects is off the grid and says he is being held in the underbelly of Circus Circus. 10. The group reunites in a warehouse, orders pizzas, and breaks the rescue into logistics, security, and access. 11. Stuart claims he can handle a "10 chain" security code because he programs public bathrooms and bidets. 12. Crystal offers breath work, consent-based hugs, partner yoga, and a rappel plan for the elevator shaft. 13. Larry Lightfoot says the Circus Circus guards know him and will not suspect his van or clown act. 14. Tony and Tina commit to muscle work, with Tony saying they need guns and Tina helping force elevator doors apart. 15. Guru hacks the cameras, turns them to clown images, and cuts the surveillance feed one by one. 16. Inside the lair, the brain reacts to intruders, Seinfeld replaces Friends, and the fight turns into a scramble over TV control, juggling, and the brain's mouth. 17. The episode's comedy comes from specific contrasts like public-bathroom programming, clown logistics, and serious rescue talk inside a wildly unserious setting. 18. The performance style stays fast, crowded, and stage-driven, with multiple characters talking over one another and frequent cutaways. 19. Listeners who like ensemble improv, Vegas setups, and sitcom parody will fit this episode. 20. Listeners who want a straight story without chaotic character swaps will probably skip it.

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