Murder Through Time: A Whodunit Across the Centuries

Case #4 Immortal Beloved

·1 hr 40 min·5 clips

Leopold admits he is glad to see Catherine more than he should ever say.

1. Murder Through Time: Case #4, Immortal Beloved, places a murder puzzle inside late-19th-century Paris at the Moulin Rouge in Montmartre. 2. Carissa hosts the case and guides the listener through the dancers, patrons, and witnesses who matter. 3. The episode asks who among the room's admirers turns Parisian glamour into a weapon. 4. Gas lamps on the Boulevard de Clichy, carriages, artists, and late-night cafes frame the first scene. 5. Catherine leads the can-can line, and Grand Duke Mikhail Alexandrovich Orlov watches with open admiration. 6. Prince Leopold von Hohenberg of Austria watches from farther back, trying to hide how strongly he reacts to Catherine. 7. Backstage, Fanny stitches costumes and notices how quickly the stage consumes fabric, time, and attention. 8. Catherine jokes about torn hems, then confirms that both the Grand Duke and the prince are in the audience. 9. Orloff asks to greet Catherine during the interval and tells her to take care of herself because Paris shows only sparkle. 10. Leopold speaks to Catherine in private and admits that he is glad to see her more than he should. 11. Catherine and Fanny walk home through Montmartre, where Fanny warns that people like the prince live by different rules. 12. The next daylight scene shifts to the theatre, where the Moulin Rouge manager delivers Prince Leopold's request for a portrait of Catherine. 13. The manager names Frédéric Laurent as the painter and says the sittings will happen in his studio. 14. Frédéric accepts the commission, puts aside an unfinished canvas, and prepares a blank one for Catherine. 15. During the first sitting, he studies Catherine's face and posture while she treats the session as a novelty. 16. On the second sitting, Catherine mentions a fiancé who writes from home and worries that Paris will change her. 17. She also shows Frédéric a ribbon that belonged to her mother, adding a private detail to the portrait. 18. When Fanny visits the studio and recognizes Catherine in the painting, the room goes quiet around the commission. 19. The narration stays lush and atmospheric, with gas lamps, velvet drapes, and the red windmill anchoring each scene. 20. Dialogue carries most of the motion, with Carissa sliding between the stage, backstage corridors, and private conversations.

As heard by us

A Parisian whodunit where atmosphere and observation drive the mystery.

Murder Through Time uses late 19th century Paris well, with Montmartre, the Moulin Rouge, and a portrait studio all feeding the mystery. The city comes through as more than backdrop: gas lamps, carriage wheels, backstage corridors, and the polished surface of beauty all hint at…

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Why you'd press play

Press play for Montmartre, a portrait, and a mystery that keeps looking back.

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