#1084 The Cause Of Envy, America Gets A Squirt Cam, My Own Mandela Effect, & Walters Story

·1 hr 37 min·5 clips

At empty stadiums, a 'squirt cam' blasts hand sanitizer on fans' mouths and breasts like semen.

Owen Benjamin, known as Big Bear, guest hosts the episode in place of Gary and Terry, who are rumored to be on a sailing expedition or lost. He opens with a tangent about planting privacy hedges and making pine needle tea for its vitamin C content. Benjamin then introduces several topics: the Mandela effect, focusing on whether elephants have front-facing mammary glands; a 'squirt cam' at empty stadiums where hand sanitizer is squirted on fans in a sexualized manner; and the psychological cause of envy. He argues envy stems from comparing oneself to others rather than a higher, godly standard, using his past success on Twitter as an example. Benjamin critiques the Christian Trinity, questioning who Jesus prayed to on the cross and comparing it to his own multiple identities. He shares personal stories, like praying during his son Walter's birth, and discusses themes of good versus evil, suggesting evil is powerless without human reaction. Later, he reviews fan art for a children's book about Walter and comments on political news, such as states resisting federal mandates. Benjamin praises Jewish people for resisting mask mandates and criticizes Christians for compliance. He ends with a lengthy critique of Bitcoin as a pyramid scheme, noting its limited supply and potential for collapse, and reads listener mail, including a story about a teacher named Mr. Brown.

As heard by us

A pine needle tea detour turns into a loose sermon on fear, faith, sunlight, and social roles.

Big Bear turns a casual tea chat into a wandering riff on useful plants, spiritual fear, and the social roles people are told to accept. He begins with privacy hedges and pine needle tea, then lets the thought trail run through darkness, phone calls, imagined threats, the…

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Why you'd press play

You press play for pine needle tea and end up inside a monologue about fear, faith, darkness, and design.

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