Love That Album

Host introduces an interview with Jeff Apter about his biography of George Young, part of a longer episode also featuring a discussion on the Easybeats.

An interview with music producer Pat Thomas about Van Morrison's 1972 album 'Saint Dominic's Preview'.

An interview with John Penhallow, original manager of Fairport Convention, discussing the band's early days and the 1960s music scene.

Maurice Bysztinski interviews Glen Humphries about his book 'Aussie Rock Anthems', which explores the stories behind Australia's biggest hit songs.

Interview with Charles Jenkins of Icecream Hands about their new album 'No Weapon But Love' after a 13-year hiatus.

Podcaster Morris announces a temporary pause on his shows due to life circumstances, assuring listeners they will return.

Dave Blom discusses Wolfmother's debut album, an Australian classic, on the Love That Album podcast.

This episode is an interview with Graham 'Buzz' Bidstrup, but the transcript only contains advertisements.

Love That Album revisits its first episode, recorded 14 years earlier, as a debate between Maurice Bysztynski and Melbourne music journalist Jeff Jenkins over Bruce Springsteen's The Wild, The Innocent, and The E Street Shuffle versus Darkness on the Edge of Town.

Love That Album host Morris Spistinski interviews Carey Baker about Down on the Corner: Adventures in Busking and Street Music, a book covering street performers from Blind Lemon Jefferson and Louis Armstrong to Ted Hawkins.

Maurice Bysztynski talks with Danny Yau in Melbourne and Sydney about You Am I's 2002 album Deliverance, after first detouring through Danny's work on Just Ace and the Woody Allen Pages podcast.

["Love That Album episode 178 is a three-album short-form set built around Hot Apple Band's So Long Noodle House, Grace Cummings' Ramona, and Barry Adamson's Back to the Cat.", "Morris says the shorter format lets him cover three records instead of one long album discussion, and Pat Monaghan of Rocksteady Records joins for the Barry Adamson segment.", "He hears So Long Noodle House as a 32-33 minute Sydney release full of 1970s pop, George Harrison-style slide guitar, Big Star harmonies, and two versions of 'So Long.'", "He contrasts Grace Cummings' sparse Storm Queen with Ramona's Jonathan Wilson strings and horns, then connects Barry Adamson to Magazine, Visage, The Birthday Party, and The Bad Seeds."]